আপুনি যদি উচ্চতৰ মাধ্যমিক প্ৰথম বাৰ্ষিক অসমীয়া বিষয়ৰ Class 11 English Landscape of the Soul MCQ Question Answer পাঠটিৰ নোট বা সহায়িকা বিচাৰি আছে, তেন্তে এই লিখনি আপোনাৰ বাবে। ইয়াত পাঠভিত্তিকক পশ্নসমূহৰ সমাধানৰ লগতে সম্ভাব্য অতিৰিক্ত প্ৰশ্নৰো সমাধান দিয়া হৈছে।
Class 11 English Landscape of the Soul MCQ Question Answer
Landscape of the Soul —Nathalie Trouveroy
MCQs With Answers
1. Q. Who is the author of ‘Landscape of the Soul’?
(a) Nathalie Trouveroy
(b) Pablo Picasso
(c) Claude Monet
(d) William Wordsworth
Ans: (a)
2. Q. What does the essay ‘Landscape of the Soul’ primarily discuss?
(a) Politics and art
(b) Differences between Eastern and Western art
(c) Importance of self-discipline
(d) History of architecture
Ans: (b)
3. Q. Which two forms of painting does the author compare?
(a) Abstract and Realistic
(b) Eastern and Western
(c) Sculptures and Sketches
(d) Digital and Traditional
Ans: (b)
4. Q. What is a key element of Chinese painting as explained in the essay?
(a) Realism
(b) Symbolism
(c) Linear perspective
(d) Exact detailing
Ans: (b)
5. Q. In the essay, the artist Wu Daozi is known for painting what subject?
(a) Birds
(b) Landscapes
(c) Flowers
(d) Portraits
Ans: (b)
6. Q. How does the Chinese artist view the landscape he paints?
(a) As a scientific representation
(b) As a living thing that he can enter
(c) As a historical document
(d) As a static, unchanging picture
Ans: (b)
7. Q. According to the essay, what is often the purpose of Western art?
(a) Representation of a single viewpoint
(b) Meditation and peace
(c) Expression of inner emotions
(d) Creation of religious icons
Ans: (a)
8. Q. What does the ‘Middle Void’ refer to in Chinese art, as explained in the essay?
(a) Empty spaces on the canvas
(b) Space in a landscape that allows movement
(c) An emotional gap in the painting
(d) The gap between imagination and reality
Ans: (b)
9. Q. What is the significance of the Middle Void in Chinese paintings?
(a) It makes the landscape realistic
(b) It symbolizes life’s uncertainty
(c) It represents harmony between opposing forces
(d) It balances the painting visually
Ans: (c)
10. Q. Who entered the Chinese artist Wu Daozi’s painting in the tale?
(a) The Emperor
(b) The Painter himself
(c) A philosopher
(d) A local villager
Ans: (b)
11. Q. In the Chinese view, the artist is a medium between which two aspects?
(a) The divine and the earthly
(b) Colors and shapes
(c) Wealth and poverty
(d) History and modernity
Ans: (a)
12. Q. What is the contrast between Eastern and Western views on art, as per the essay?
(a) Eastern art is abstract, while Western art is scientific
(b) Western art is static, while Eastern art is interactive
(c) Eastern art values realism, while Western art values symbolism
(d) Eastern art is minimal, while Western art is expressive
Ans: (b)
13. Q. In Nathalie Trouveroy’s essay, which quality is NOT emphasized in Chinese paintings?
(a) Perspective
(b) Symbolism
(c) Balance
(d) Spiritual connection
Ans: (a)
14. Q. According to ‘Landscape of the Soul’, Western paintings use perspective to show:
(a) Multiple viewpoints
(b) A realistic single viewpoint
(c) A blend of real and imaginary
(d) Natural themes
Ans: (b)
15. Q. In Chinese art, what role does the viewer play according to Nathalie Trouveroy?
(a) An observer of reality
(b) A judge of accuracy
(c) An active participant
(d) A critic of the artist’s technique
Ans: (c)
16. Q. Which word describes the nature of Western art according to the essay?
(a) Static
(b) Dynamic
(c) Symbolic
(d) Abstract
Ans: (a)
17. Q. What does the Chinese artist leave in the painting for the viewer?
(a) Perspective
(b) Imagination
(c) Empty space
(d) Symbols
Ans: (c)
18. Q. Who was the famous Chinese artist who painted a landscape for the emperor in the story?
(a) Wu Daozi
(b) Shen Zhou
(c) Wen Zhengming
(d) Zhang Daqian
Ans: (a)
19. Q. In Chinese painting, the empty space allows for:
(a) Realism
(b) Precision
(c) Dynamic movement
(d) Imagination
Ans: (d)
20. Q. In the story, what happened when the Chinese painter entered his own painting?
(a) He transformed into a mythical creature
(b) The painting vanished
(c) The emperor awarded him a medal
(d) Emperor ordered him to repaint it
Ans: (b)
21. Q. What cultural philosophy does the essay ‘Landscape of the Soul’ mention as essential to understanding Chinese art?
(a) Daoism
(b) Buddhism
(c) Confucianism
(d) Zen
Ans: (a)
22. Q. Which form of art emphasizes the observer’s point of view?
(a) Eastern art
(b) Western art
(c) Both Eastern and Western art
(d) Neither Eastern nor Western art
Ans: (b)
23. Q. In Chinese philosophy, art is often seen as a path to:
(a) Fame
(b) Political success
(c) Self-discovery
(d) Scientific knowledge
Ans: (c)
24. Q. According to the essay, what does an Eastern artist want to capture?
(a) A specific scene from real life
(b) An ever-changing flow of life
(c) A dramatic moment
(d) An exact representation of details
Ans: (b)
25. Q. Which art emphasizes close observation of nature’s details?
(a) Chinese art
(b) Japanese art
(c) Western art
(d) Indian art
Ans: (c)
26. Q. The Chinese term “Shanshui” means:
(a) Water and mountain
(b) Spirit and life
(c) Yin and yang
(d) Sky and river
Ans: (a)
27. Q. What does the Chinese art concept of “Yang” represent?
(a) The feminine, passive force
(b) The masculine, active force
(c) Balance and harmony
(d) Human perspective
Ans: (b)
28. Q. What does “Yin” represent in Chinese philosophy?
(a) Activity and light
(b) Quiet and dark
(c) Masculine energy
(d) Spirit and soul
Ans: (b)
29. Q. What did the emperor do after Wu Daozi entered the painting?
(a) Ordered to repaint it
(b) Commissioned more paintings
(c) Searched for the artist
(d) Stood speechless
Ans: (d)
30. Q. In Chinese art, the spirit is conveyed by:
(a) Proportion and symmetry
(b) Stillness and form
(c) Movement and life
(d) Color and shade
Ans: (c)
31. Q. Which belief system influenced Chinese art and its philosophy of nature?
(a) Buddhism
(b) Daoism
(c) Hinduism
(d) Christianity
Ans: (b)
32. Q. The essay compares painting styles of which two continents?
(a) Asia and Africa
(b) Europe and Asia
(c) America and Europe
(d) Africa and South America
Ans: (b)
33. Q. In the essay, Chinese art is seen as a tool for:
(a) Political influence
(b) Enlightenment
(c) Wealth
(d) Science
Ans: (b)
34. Q. What does Shanshui depict in Chinese art?
(a) Monochrome themes
(b) Urban landscapes
(c) Nature’s landscape
(d) Man-made structures
Ans: (c)
35. Q. How does Nathalie Trouveroy describe the Western focus in art?
(a) Expression of human emotions
(b) Representation of the divine
(c) Depiction of historical events
(d) Realistic portrayal of what the eye sees
Ans: (d)
36. Q. What does Chinese painting encourage viewers to do?
(a) Memorize details
(b) Enter and explore the landscape
(c) Admire color schemes
(d) Compare it to Western art
Ans: (b)
37. Q. What theme does the concept of Shanshui mainly reflect?
(a) Man’s influence over nature
(b) Harmony between nature and human presence
(c) Political ideals
(d) Urban development
Ans: (b)
38. Q. What was unusual about Wu Daozi’s painting of the landscape for the emperor?
(a) It was interactive and allowed entry
(b) It contained many hidden animals
(c) It represented a political message
(d) It was painted in monochrome
Ans: (a)
39. Q. How does Western art view space in a painting, according to the essay?
(a) As limitless
(b) As the main subject
(c) As perspective-driven
(d) As abstract
Ans: (c)
40. Q. The essay describes which cultural perception of art as meditative?
(a) Chinese
(b) African
(c) Western
(d) Indian
Ans: (a)
41. Q. In the Chinese tale, what was the emperor’s reaction to the artist entering his own work?
(a) Confused
(b) Angry
(c) Amazed and silent
(d) Amused
Ans: (c)
42. Q. How are ‘Yin’ and ‘Yang’ related to Shanshui in Chinese painting?
(a) They represent the artist’s mood
(b) They are part of the landscape’s harmony
(c) They show the artwork’s depth
(d) They determine its color scheme
Ans: (b)
43. Q. What does Nathalie Trouveroy suggest Western art aims to achieve with perspective?
(a) Emotional connection
(b) Visual accuracy
(c) Audience interaction
(d) Historical relevance
Ans: (b)
44. Q. How does the Chinese painting invite the observer to interact with it?
(a) By following a singular viewpoint
(b) Through dynamic perspective
(c) By being a part of the movement within it
(d) By focusing on its colors
Ans: (c)
45. Q. According to the essay, in Western art, the landscape is:
(a) Always symbolic
(b) Always religious
(c) The subject of realism
(d) Created in abstract forms
Ans: (c)
46. Q. What is the central theme of the essay ‘Landscape of the Soul’?
(a) Artistic techniques of different cultures
(b) Inner meaning of life and art
(c) History of Chinese painting
(d) Cultural differences in symbolism
Ans: (b)
47. Q. What is a significant difference in how Western and Chinese painters approach landscapes?
(a) Western painters avoid realism
(b) Chinese painters focus on exactness
(c) Western painters depict realism, while Chinese painters convey spirituality
(d) Chinese painters avoid symbolism
Ans: (c)
48. Q. In ‘Landscape of the Soul’, Chinese landscapes are described as:
(a) Detailed and realistic
(b) A journey of the spirit
(c) An abstract creation
(d) A photographic representation
Ans: (b)
49. Q. What can we understand from the essay about the goal of Chinese art?
(a) To portray historical scenes
(b) To reflect a higher spiritual reality
(c) To mimic Western styles
(d) To show wealth and power
Ans: (b)
50. Q. Nathalie Trouveroy’s essay highlights which value as central to Chinese art?
(a) Individualism
(b) Logical accuracy
(c) Balance and flow
(d) Secularism
Ans: (c)
VSA (Very Short Answer Type Questions with Answers)
1. Q. What does the essay ‘Landscape of the Soul’ mainly discuss?
Ans: It discusses the philosophical differences between Chinese and Western art.
2. Q. Who painted a landscape for the Chinese Emperor?
Ans: The artist Wu Daozi painted a landscape for the emperor.
3. Q. What happened to the painting by Wu Daozi when he clapped his hands?
Ans: The painting opened up, and Wu Daozi disappeared into it.
4. Q. What does ‘Shanshui’ mean in Chinese art?
Ans: ‘Shanshui’ means “mountainwater,” representing landscape art.
5. Q. What does the Western painting tradition primarily focus on?
Ans: It primarily focuses on achieving realism and perspective.
6. Q. What role does perspective play in Western art?
Ans: Perspective in Western art creates depth and a sense of realism.
7. Q. What does the Chinese artist aim to show through landscapes?
Ans: The Chinese artist aims to show inner harmony with nature.
8. Q. How are Chinese paintings meant to be experienced by the viewer?
Ans: Chinese paintings invite the viewer to enter and explore.
9. Q. What concept does Chinese landscape painting incorporate?
Ans: It incorporates the concept of balance between yin and yang.
10. Q. What is a common theme in Western landscapes, according to the essay?
Ans: Western landscapes often focus on realistic representation of the physical world.
11. Q. How does Chinese art differ from Western in depicting landscapes?
Ans: Chinese art focuses on spirit and essence rather than physical accuracy.
12. Q. What does the word ‘Dao’ mean in Chinese philosophy?
Ans:‘Dao’ means “the way” or the underlying principle of nature.
13. Q. How does the essay describe the concept of emptiness in Chinese art?
Ans: Emptiness symbolizes space that allows the viewer to interpret freely.
14. Q. What does ‘yin’ and ‘yang’ symbolize in Chinese art?
Ans: They symbolize opposing but complementary forces in nature.
15. Q. What does Nathalie Trouveroy suggest about European art’s objective?
Ans: She suggests it aims to represent the external reality accurately.
16. Q. How is space perceived in Chinese landscapes compared to Western ones?
Ans: Space in Chinese landscapes is infinite and meditative.
17. Q. What is the main purpose of a Chinese landscape painting?
Ans: Its purpose is to capture the essence and flow of life.
18. Q. How does a viewer engage with a Chinese painting, as per the essay?
Ans: A viewer is invited to wander and explore the painting’s depth.
19. Q. In the Chinese tale, what happens to the painter Wu Daozi in the end?
Ans: Wu Daozi disappears into his own painting.
20. Q. What does the term ‘landscape of the soul’ imply in the context of the essay?
Ans: It implies the inner spiritual journey reflected through art.
